何其芳诗歌中的风景装置与抒情转向——以《河》为中心  

The Landscape Device and Lyrical Turn in He Qifang's Poetry--with the River as the Center

作　　者：李琛 LI Chen(School of Chinese Language and Literature,Hebei University,Baoding Hebei 071028,China)

机构地区：[1]河北大学文学院,河北保定071028

出　　处：《四川职业技术学院学报》2025年第2期117-121,共5页Journal of Sichuan Vocational and Technical College

摘　　要：与《预言》时期的象征主义诗歌对比,何其芳在延安时期创作的诗歌具有不同的风景装置和创作方式。诗歌《河》以“声音、生活、交际”作为“集体生活”的主要表现对象,构建出极具画面感的抒情风景,使得诗歌具有了现实感和更广阔的风景容量。“寂寞”指向的是延安对何其芳巨大的情感召唤,是诗人奔赴延安的情感动力,同时也包含了集体抒情中个体的局限性。In contrast with the symbolic poetry in the period of Prophecy,the poems written by He Qifang in Yan'an period have different landscape installations and creative methods.Taking“Voice,life and communication”as the main object of“Collective life”,the poem River constructs a lyrical landscape with a strong sense of picture,makes the poem has the sense of reality and the broader landscape capacity.“Loneliness”refers to the great emotional appeal of Yan'an to He Qifang,which is the emotional motive force for the poet to go to Yan'an.

关 键 词：何其芳 《河》 声音 风景 抒情 

分 类 号：I206.6[文学—中国文学]