“两个结合”与当代中国文学理论研究的多维拓展  

“Two Combinations”and the Multidimensional Expansion of Contemporary Chinese Literary Theory Research

作　　者：汪一辰 WANG Yi-chen

机构地区：[1]上海大学中文系

出　　处：《北京社会科学》2025年第4期15-24,共10页Social Sciences of Beijing

基　　金：上海市哲学社会科学规划课题青年项目(2024EWY001)——“译丛”与新中国初期世界文论知识的中国建构(1949—1965)。

摘　　要：通过对既有研究文献的梳理可以发现,文学理论领域对“两个结合”的阐发已呈现出多个话语维度。在马克思主义文论研究领域,“两个结合”被赋予了重大话语创新意义,其核心在于形成了“文学是文化的一部分”之观点,这既深化了对“文学”本体的认知,也为中国马克思主义文论关键概念的理解提供了广阔的历史视野。在历史维度上,“两个结合”作为一种文论史叙述的“新视角”,通过对中华优秀传统文论资源的重新发掘与阐释,推动了对“中国文论现代性”问题的再思考。在未来维度上,“两个结合”为新时代文论在“古今中西”格局中的发展提供了基本策略与目标,为中国文论的自主性建构指明了方向。A review of existing research literature reveals that the interpretation of“two combinations”in the field of literary theory has presented multiple discourse dimensions.Firstly,in the field of Marxist literary theory research,“two combinations”have been endowed with significant discourse innovation significance.Its core lies in the formation of the view that“literature is a part of culture”,which not only deepens the understanding of the“essence of literature”,but also provides a broad historical perspective for the understanding of key concepts in Chinese Marxist literary theory.In the historical dimension,“two combinations”serve as a“new perspective”in the narrative of literary theory history.Through the re-exploration and interpretation of traditional Chinese literary theory resources,it has promoted the rethinking of the issue of“the modernity of fine Chinese literary theory”.In the future dimension,“two combinations”provide basic strategies and goals for the development of literary theory in the“ancient and modern,Chinese and Western”framework in the new era,and point out the direction for the construction of the autonomy of Chinese literary theory.

关 键 词：“两个结合” 文学理论 马克思主义文学理论 中国式现代化 现代性 

分 类 号：I0[文学—文学理论]