明初台阁文学视阈下的僧人应制诗创作考论  

Composition of Imperial Ordered Poems by Monks from thePerspective of Court Literature in the Early Ming Dynasty

作　　者：李夏青 LI Xiaqing(College of Chinese Language and Literature,Henan University,Kaifeng 475001,China)

机构地区：[1]河南大学文学院,河南开封475001

出　　处：《邵阳学院学报(社会科学版)》2025年第2期89-94,共6页Journal of Shaoyang University:Social Science Edition

摘　　要：明初僧人应制诗是颂圣风气催发下的时代产物,也是这一时期台阁文学中不可或缺的组成部分,它在明代统治者的积极倡导和台阁文士的熏陶下得以发展,并在扬盛世、赞明主、叙入仕的同时,以佛事活动拓宽应制诗题材。与台阁文人一样,明初僧人应制诗多采律体,但也尝试用绝句宣传王化、赞扬帝德,而儒、释思想的结合和佛语的融入,更是其摆脱一般应制诗之枯燥乏味、延伸诗歌内涵意蕴的独特方式。At the beginning of the Ming Dynasty,the imperial ordered poems by monks were the product of the times following the trend of praising sages.These works were an indispensable part of the court literature during that period,supported by the encouragement of the Ming rulers and the influence of court literati.These poems broadened the theme of imperial ordered poems by incorporating Buddhist activities when celebrating the prosperous era,praising the Lord,and narrating the life of an official.Similar to the literati,the monks of the early Ming Dynasty composed these poems in a rhythmic style while also experimenting with quatrains to promote civilization and extol the emperors’virtue.By combining Confucianism and Buddhism and integrating the Buddhist language,they developed a unique way to alleviate monotony and extend the connotation of poetry.

关 键 词：明代初期 台阁文学 僧人应制诗 

分 类 号：I206.2[文学—中国文学]