明清时期蜀绣龙凤图案的家族仪式文化象征  

Family Ritual and Cultural Symbol of Shu Embroidery Dragon and Phoenix Pattern in the Ming and Qing Dynasties

作　　者：袁玥茗 YUAN Yueming(Lanzhou University,Lanzhou 730106,China)

机构地区：[1]兰州大学,甘肃兰州730106

出　　处：《鞋类工艺与设计》2025年第8期13-15,共3页SHOES TECHNOLOGY AND DESIGN

摘　　要：明清时期,蜀绣中的龙凤图案在家族仪式中具有重要的文化象征意义,不仅以精美的工艺和丰富的色彩展现出家族的身份地位,也传递了对家庭和谐、子嗣繁荣的深刻期望。龙凤作为传统文化中“龙凤呈祥”的核心符号,象征了家族的兴旺和睦,成为婚庆、寿宴等仪式中的常见主题。在现代,蜀绣的龙凤图案逐渐融入当代审美,并被重新赋予了新的文化内涵。而在文化遗产保护的背景下,蜀绣作为重要的非物质文化遗产,又体现了中国传统家族文化的延续与创新,具有深远的文化与学术价值。During the Ming and Qing dynasties,the dragon and phoenix patterns in Sichuan embroidery held significant cultural symbolic significance in family ceremonies.They not only displayed the family's status and identity through exquisite craftsmanship and rich colors but also conveyed a profound aspiration for family harmony and the prosperity of offspring.As the core symbol of“dragon and phoenix presenting auspiciousness”in traditional culture,the dragon and phoenix signified the prosperity and harmony of the family,becoming a common theme in ceremonies such as weddings and birthday banquets.In modern times,the dragon and phoenix patterns of Sichuan embroidery have gradually integrated into contemporary aesthetics and been re-endowed with new cultural connotations.Under the background of cultural heritage protection,Sichuan embroidery,as an important intangible cultural heritage,embodies the continuation and innovation of traditional Chinese family culture and has far-reaching cultural and academic value.

关 键 词：蜀绣 龙凤图案 家族仪式 文化象征 明清时期 

分 类 号：TS941.2[轻工技术与工程—服装设计与工程]