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作 者:谈峰[1] TAN Feng(School of Modern Logistics and Intelligent Manufacturing,Wuhu Institute of Technology,Wuhu 241006,China)
机构地区:[1]芜湖职业技术学院现代物流智造学院,安徽芜湖241006
出 处:《内蒙古艺术学院学报》2025年第1期101-106,共6页Journal of Inner Mongolia Arts University
基 金:2024年度安徽省高校人文社会科学研究重点项目“动画技术赋能安徽红色文化遗产的路径研究”(项目编号:2024AH053496)阶段性成果;安徽省教学研究项目“‘双高’背景下高职院校专业群组群逻辑及优化策略研究”(项目编号:2020jyxm2174)阶段性成果;芜湖职业技术学院校级人文社科项目“非物质文化遗产融入动画作品中对文化传播的影响”(项目编号:wzyrwzd202424)阶段性成果。
摘 要:近年来国产电视剧的勃兴推动了影视剧对人文主题的关注,同时也增加了电视剧对地域文化及其美学问题的讨论。风景秀丽的江南为影视取景提供了优渥土壤,在当今电视剧创作领域产生了一批反映江南诗性文化特质的优秀作品,在中国影视剧史上留下了鲜活的时代影像。这些国产剧对江南诗性文化建构主要遵循了三重理路,一是借助柔美委婉的吴音,打开了影视作品与江南诗性文学互通的通道;二是通过绮丽风景、镜头语言和色彩美学的共景互助,实现了江南意境的影视化再现;三是在挖掘江南地域精神基因的创作中,常以个人、家族或企业的兴衰荣辱来展现中华民族的历史进程,从而上升至具有责任担当的家国情怀。In recent years,the boom of domestic TV dramas has promoted the attention of film and TV dramasto the theme of humanity,and also increased the discussion of regional culture and aesthetics in TV dramas.Thebeautiful South of the Yangtze River has always been rich in film and television shooting,and has produced a numberof excellent works reflecting the poetic cultural characteristics of the South in the field of TV drama creation,leavinga fresh image of The Times in the history of Chinese film and television drama.The construction of the poeticculture of Jiangnan in these domestic dramas mainly follows three aspects:First,with the help of the soft andeuphemistic Wu Yin,it opens the channel of communication between film and television works and the poeticliterature of Jiangnan;Secondly,through the mutual assistance of beautiful scenery,lens language and coloraesthetics,the movie-visual representation of Jiangnan artistic conception is realized.Third,in the creation of thespiritual gene of the Jiangnan region,it often shows the historical process of the Chinese nation with the rise and fallof individuals,families or enterprises,so as to rise to the sense of family and country with responsibility.
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