“非物质劳动”视域下奈格里的艺术生产论研究  

On Negri’s Art Production Theory from the Perspective of“Immaterial Labor”

作　　者：雷凯龙 李志雄[1] Lei Kailong;Li Zhixiong(School of Literature and Journalism,Xiangtan University,Xiangtan Hunan 411105,China)

机构地区：[1]湘潭大学文学与新闻学院,湖南湘潭411105

出　　处：《衡阳师范学院学报》2025年第2期81-89,共9页Journal of Hengyang Normal University

基　　金：湖南省教育厅科学研究重点项目“布洛赫‘前仿真美学’研究”(21A0085)。

摘　　要：从非物质劳动的视角来探究奈格里的艺术生产论,是切入其文艺美学思想的关键路径。非物质劳动的情感性、内在合作性、非物质性与主体塑造性等特征,分别构成了其与艺术生产发生关联的本体、过程、产品与目的线索。从研究的可行性来看,当代艺术生产就是非物质劳动的一种表现形式。艺术生产的“非物质转向”涵盖全面抽象化、绝对商品化、集体劳动化与生命政治化四重意蕴,它们彼此交互,共同构筑了奈格里艺术生产论的实质内容。奈格里的艺术生产论是对过往马克思主义艺术生产论的时代性赓续与发展,对当下中国艺术生产的泛商品化与人工智能化趋势具有重要的启示价值,但也存在机械决定论、简单化与盲目乐观的问题。Exploring Antonio Negri’s theory of artistic production through the lens of“immaterial labor”constitutes a critical pathway to understand his aesthetic and cultural thought.The characteristics of the emotional nature,intrinsic cooperative,immateriality,and subject-forming of the immaterial labor collectively constitute the ontological,procedural,productive,and purposive connections be⁃tween immaterial labor and artistic production.From the perspective of research feasibility,contemporary artistic production itself man⁃ifests as a form of immaterial labor.The“immaterial turn”in artistic production encompasses four interrelated dimensions:comprehen⁃sive abstraction,absolute commodification,collective laborization,and politicization of life.These dimensions interact dynamically,forming the core of Negri’s theory of artistic production.Negri’s theory represents a temporal continuity and development of traditional Marxist theories of artistic production,offering significant insights into the trends of over-commodification and AI-driven automation in contemporary Chinese artistic practices.But there are also problems of mechanical determinism,simplification,and blind optimism.

关 键 词：安东尼奥·奈格里 非物质劳动 艺术生产 

分 类 号：I01[文学—文学理论]