现象学的中性化思想与日常负面情绪的审美生成  

Phenomenology of Neutralization and the Aesthetic Formation of Negative Emotions in Everyday Life

作　　者：陈海静 CHEN Haijing(School of Humanities,Shenzhen University,Shenzhen,Guangdong 518060)

机构地区：[1]深圳大学人文学院,广东深圳518060

出　　处：《文化艺术研究》2025年第2期9-15,111,共8页Studies in Culture and Art

摘　　要：现象学视域下的审美对象既非现实中的实在之物,亦非单纯的心理幻象,而是处于“实在”和“非实在”之间的某种“现象”。基于审美对象在存在论上的中性化变样,人们对于审美对象的价值判断亦表现出某种中立性。中性化审美意识的形成源自知觉活动的被动综合机制,正是通过这一机制,日常生活中的负面情绪才有可能被转化为积极的审美体验。就此而言,被动的综合对于审美的发生具有重要的本体论意义。中性化也是审美公共性在审美情感中的必然表现形式。如果没有公共性的内在要求,审美情感的中性化也就无法达成,而与此相关的审美判断也就失去了前提性的保障和支撑。From a phenomenological perspective,an aesthetic object is neither a concrete entity nor a mere psychological illusion but rather a"phenomenon"that exists between the real and the unreal.Due to this ontological neutralization of aesthetic objects,value judgments toward them also exhibit a certain neutrality.The formation of neutralized aesthetic consciousness arises from the passive synthesis mechanism of perception,which enables the transformation of negative emotions in daily life into positive aesthetic experiences.In this sense,passive synthesis holds significant ontological meaning for the emergence of the aesthetic.Furthermore,neutralization is an essential manifestation of aesthetic publicness in aesthetic emotions.Without the inherent demand for publicness,the neutralization of aesthetic emotions would not be possible,and the related aesthetic judgments would lose their foundation and support.

关 键 词：现象学 中性化 审美表达 审美承认 审美判断 

分 类 号：B83-0[哲学宗教—美学]