作为介入的展演:展演研究视角下的两则案例分析  

Performance as Interventions:Two Case Studies from a Performance Studies Perspective

作　　者：庄稼昀 ZHUANG Jiayun(Zhuang Jiayun Studio,Los Angeles,CA 91367,USA)

机构地区：[1]庄稼昀工作室,美国加州洛杉矶91367

出　　处：《文化艺术研究》2025年第2期84-91,115,共9页Studies in Culture and Art

摘　　要：《阳光与海》《欧洲家访》等当代展演作品,通过策略性地挪用或介入日常,激发观众/参与者对规范现实的再认知与再想象。展演(performance)既是一种文化实践,也是一种分析方法;既参与构成社会规范与权力运作的微观机制,也构成干预规范、生成主体能动性的路径。展演研究(performance studies)体现出高度的学科自觉:致力于剖析权力结构,回应社会变革,强调日常经验的能动性与边缘身份的表达,揭示主体性如何通过行为被“演”与“重演”。在展演研究理论透视下,展演被识别为一种激活感知、显现社会结构、生成替代性社会想象的批判性实践。In Sun&Sea and Home Visit Europe,performance is strategically used to appropriate or intervene in the everyday,prompting spectators/participants to re-recognize and reimagine normative realities.Performance is both a cultural practice and an analytical method;it participates in the micro-mechanisms through which social norms and power operate,while also offering a pathway for intervening and cultivating subjectivity and agency.Performance studies,as a discipline,demonstrates a high degree of self-awareness:it aims to dissect power structures,respond to social changes,highlight the agency of everyday experience,and amplify the voices of marginalized identities.It reveals how subjectivity is"performed"and“reperformed”through action.Under the theoretical lens of performance studies,performance is identified as a critical practice that activates perception,exposes social structures,and generates alternative social imaginations.

关 键 词：展演 展演研究 展演性 日常 

分 类 号：J805[艺术—戏剧戏曲]