静观、兴味与定意:中国西部电影慢美学阐释  

Contemplation,Engagement,and Intention:An Interpretation of the Slow Aesthetics in Chinese Western Cinema

作　　者：刘森 仝广辉 LIU Sen;TONG Guang-hui(Faculty of Liberal Arts,Northwest University,Xi’an 710127,China;Department of Motion Picture,Photography and Animation,Xi’an Academy of Fine Arts,Xi’an 710065,China;School of Literature and Media,Tongren University,Tongren 554300,China)

机构地区：[1]西北大学文学院,陕西西安710127 [2]西安美术学院影视动画系,陕西西安710065 [3]铜仁学院文学与传媒学院,贵州铜仁554300

出　　处：《西北大学学报(哲学社会科学版)》2025年第3期166-172,共7页Journal of Northwest University:Philosophy and Social Sciences Edition

基　　金：陕西省教育厅科学研究计划项目-青年创新团队项目“秦岭山地的影视呈现及其空间叙事研究”(23JP122)。

摘　　要：中国西部电影慢美学以时间-影像的姿态,谋划出对西部地区生态环境、传统生活方式和现代化变革的艺术思考,表现出独特的风格体系和审美特征。通过对万玛才旦等中国西部电影作者所创作的慢电影的阐释,可以发现:让观众在静观中触摸时间晶体并感知时间,是中国西部电影慢美学的语用出发点;以镜语承载中国西部文化守成、现实记忆与现代变革,是中国西部电影的兴味方式;而提供积极时间体验、让观众体验生命的本真况味,则是中国西部电影的艺术定意。这三者共同构成了中国西部电影慢美学的特征。The slow aesthetics of Chinese Western cinema,through the posture of time-image,orchestrates an artistic reflection on the ecological environment,traditional lifestyles,and modernization changes in the Western regions,showcasing a unique stylistic system and aesthetic characteristics.By interpreting the slow films created by auteurs such as Pema Tseden,it becomes evident that allowing the audience to touch and perceive the crystal of time in contemplation serves as the pragmatic starting point of the slow aesthetics in Chinese Western cinema.Using cinematic language to carry the cultural preservation,historical memory,and modern transformation of Western China represents the engaging method of these films.Furthermore,providing a positive temporal experience and enabling the audience to experience the authentic essence of life constitutes the artistic intention of Chinese Western cinema.These three elements collectively form the characteristics of the slow aesthetics in Chinese Western cinema.

关 键 词：中国西部电影 慢美学 静观 兴味 定意 

分 类 号：J90[艺术—电影电视艺术]