汪曾祺书画作品中的佛学因素  

Buddhist Factors in Wang Zengqi’s Calligraphies and Paintings

作　　者：于洋 YU Yang(School of Literature,Capital Normal University,Beijing 100089,China)

机构地区：[1]首都师范大学文学院,北京100089

出　　处：《青海师范大学学报(社会科学版)》2025年第1期119-126,共8页Journal of Qinghai Normal University(Social Sciences)

摘　　要：文章系统梳理了汪曾祺不同人生阶段创作的带有佛学因素的书画,通过对创作背景的考察和书画诗文对照研究,探寻佛学思想作为一种精神力量在汪曾祺不同人生阶段和境遇时的呈现。在风云动荡的时代,汪曾祺通过画幽兰、孤鸟、打坐的僧人来坚定意志、宣泄情绪、表达对世事的态度;在沧桑已悟的晚年,汪曾祺以“破体”书法和浓艳墨荷表达他沉浮一世的人生感悟和“衰年变法”的伏枥之志。This paper systematically reviews the calligraphies and paintings with Buddhist factors created by Wang Zengqi at different stages of his life,and explores the presentation of Buddhist thought as a spiritual force in different stages and circumstances of Wang Zengqi’s life through the investigation of the creation background and the comparative study of the poems and texts of paintings and calligraphies.In turbulent times,Wang Zengqi strengthened his will,vented his emotions,and expressed his attitude towards the world by painting orchids,solitary birds,and meditating monks.In his late years,Wang Zengqi expressed his life sentiment and his ambition of“aging reform”with“broken body”calligraphy and colorful ink and lotus.

关 键 词：汪曾祺 书画 佛学 

分 类 号：J05[艺术—艺术理论]