论苏轼古体诗的律化倾向  

The Rhythmic Tendency of Su Shi’s Ancient Poetry

作　　者：郭春林[1] 潘雅轩 GUO Chun-lin;PAN Ya-xuan(College of Liberal Arts,Guangxi University,Nanning,Guangxi 530004)

机构地区：[1]广西大学文学院,广西南宁530004

出　　处：《汕头大学学报(人文社会科学版)》2024年第11期41-48,95,共9页Journal of Shantou University(Humanities and Social Sciences Edition)

基　　金：国家社科基金重点项目《古代岭南祠庙文学研究》(17AZW009)。

摘　　要：苏轼古体诗中的律化现象值得学界关注,有深入探讨的必要。此前学界已然关注到了苏轼文学作品中出现的特殊情况,其研究涉及到了赋的诗化、诗的散文化、词的诗化等诸多方面,但苏轼古体诗的律化现象,并未得到学界充分关注。由此,我们从苏轼之前古体诗的律化现象切入,在系统把握诗歌发展演变的基础上,对苏轼古体诗中的律化现象进行归纳整理,论析探究律化现象出现的缘由,这对于深入探究苏诗对后辈诗人的影响以及其在诗歌史上的价值等,均具有极为重要的文学史意义。The phenomenon of rhythmization in Su Shi’s ancient poetry deserves the attention of academic circles and is necessary for further discussion.The academic circles have paid attention to the special situation in Su Shi’s literary works,and their research has involved many aspects,such as the poetization of the fu,poems in prose form,the poetization of ci,and so on,but the rhythmization of Su Shi’s ancient poetry has not been paid enough attention by the academic circles.Therefore,starting from the rhythmization of Su Shii’s ancient poetry,on the basis of systematically grasping the development and evolution of poetry,this paper sums up and analyzes the causes of the phenomenon of rhythmization in Su Shi’s ancient poetry,which is of great significance to the further study of the influence of Su poetry on the later poets and its value in poetry.

关 键 词：苏轼 古体诗 律化倾向 诗史意义 

分 类 号：I207.22[文学—中国文学]