元宇宙语境下艺术“灵韵”的唤回及“拟真”的嬗变  

The Recalling of Artistic“Aura”and the Transformation of“Simulation”in the Context of Metaverse

作　　者：陈永东[1,2] Chen Yongdong

机构地区：[1]上海戏剧学院艺术科技与管理学院 [2]上海戏剧学院上海市虚拟环境下的文艺创作重点实验室

出　　处：《艺术传播研究》2025年第3期15-25,共11页Journal of Art Communication

摘　　要：元宇宙语境下的艺术传播可被赋予新的理解。一方面,从本雅明机械复制时代艺术理论的视角,可探求该语境下艺术“灵韵”重现的可能性,并认为该语境下艺术的现场性、原真性及历史性均可复苏。另一方面,通过探讨该语境下鲍德里亚所谈的“拟真”的嬗变,可见虚拟现实体验可能促进第四阶段“拟像”状态的呈现,以及虚实融合方式的元宇宙艺术因体现了“拟真”的新变化而可能促成“拟像”的第五阶段。此外,元宇宙语境下艺术创作与体验中的主体性固然发生了变化,但未必消失。Abstract:The communication of art in the context of the metaverse can be reinterpreted. On the one hand,from the perspective of Benjamin’s theory of mechanical reproduction in the era of art,we can explore thepossibility of recalling the “ aura” of art in the context of the metaverse,and consider that the liveness,authenticity,and historical records of art can all be recalled. On the other hand,by exploring the evolutionof “simulation” as discussed by Baudrillard in the context of the metaverse,it can be argued that virtualreality experiences may promote the presentation of the fourth stage of “simulacra”,and that the fusion ofvirtual and real elements in metaverse art may contribute to the fifth stage of “simulacra” by reflecting newchanges in “ simulation”. In addition, although the subjectivity in artistic creation and experience haschanged in the context of the metaverse,it may not disappear.

关 键 词：艺术元宇宙 艺术传播 本雅明 灵韵 鲍德里亚 拟真 

分 类 号：J0[艺术—艺术理论]