菌络与人类:人类世美学范式下的艺术和生命形式  

Mycorrhizal Relationship and Humans:Art and Life Forms in the Aesthetic Paradigm of the Anthropocene

作　　者：张晓佳 Zhang Xiaojia

机构地区：[1]上海外国语大学跨文化研究中心

出　　处：《艺术传播研究》2025年第3期44-58,共15页Journal of Art Communication

摘　　要：历史上,植物通常被研究者视为人类活动的“绿色背景”。近年来,人类学已经将其视域界限推向了多物种和“超越人类”的范围,动物、植物和其他生物已成为其关注和理论化的焦点。生物学家、人类学家和艺术家尤其从菌根关系中获得诸多启发。真菌并非严格意义上的植物,其作为部分植物或部分非植物的临界样态,呈现了有机体与无机体相互纠缠的生存状态。实现共生的相互作用需要跨越物种边界,对共生的研究则必须跨越学科界线。当前对真菌的研究凸显出复杂的涉及人类学、艺术和科学等的命题,即如何理解这种缠入万物之中、络入万象之间,生命力极强且极具共生意愿的生命形式。真菌是在资本主义后期或“人类之后”的废墟上仍能存在的生命,也是我们思考可持续共生的一个强大的范本。Historically,plants have been viewed by researchers as the green backdrop to human activities.However,in recent years,Anthropology has expanded its boundaries to include multispecies and“more⁃than⁃human”perspectives.Animals,plants,and other organisms have become central to being attentive and theorization,with biologists,anthropologists,and artists drawing significant inspiration from mycorrhizal relationships.While fungi are not strictly classified as plants,their critical nature—half plant,half non⁃plant—reveals an entangled state of existence between organic and inorganic entities.Achieving symbiosis requires crossing species boundaries,and studying symbiosis necessitates transcending disciplinary limits.Current research on fungi highlights complex anthropological,artistic,and scientific questions—how to understand this life form that interweaves with all things,entangles with myriad phenomena,and exhibits both resilience and a strong symbiotic inclination.Fungi thrive in the ruins of late capitalism or the“post⁃human”era,serving as a powerful model for contemplating sustainable coexistence.

关 键 词：菌根关系 真菌艺术 后人类 艺术人类学 植物转向 

分 类 号：J0-05[艺术—艺术理论]