当代艺术中的植物转向与植物思维  

The Vegetal Turn and Plant⁃Thinking in Contemporary Art

作　　者：杨国柱 Yang Guozhu

机构地区：[1]山东艺术学院艺术管理学院

出　　处：《艺术传播研究》2025年第3期73-85,共13页Journal of Art Communication

摘　　要：当代艺术中的植物转向,标志着艺术创作的思维从人类中心主义向生态互联的深刻转变。通过植物与人类的关系(植物权力)、植物与非人类的关系(植物缠结)与植物作为媒介(植物媒介)三个维度,可以探讨植物在当代艺术中的多重角色,以及植物思维对生态哲学与人类世批判领域的启示。那些关注植物权力的观念批判了工具理性对植物的物化,主张通过植物伦理学重新定义植物的本体地位;植物缠结理念通过多物种共生与系统思维,意在重构行星尺度上的生态关系;植物媒介艺术则融合生物技术与数字科技,探索植物作为活体材料与虚拟存在的可能性。植物转向不仅是艺术形式的革新,更是一种挑战人类中心主义、重构生态伦理的哲学实践,为应对人类世的气候危机与生态异化提供了一种创造性的方案。The Vegetal Turn in contemporary art marks a profound shift in artistic creation from anthropocentrism to ecologically interconnected thinking.This paper explores the multiple roles of plants in contemporary art and the implications of plant thinking for the critique of ecological philosophy and the Anthropocene through the three dimensions of the relationship between plants and human beings(plant power),plants and non⁃human beings(plant entwinement),and plants as mediums(plant mediation).Plant power criticizes the objectification of plants by instrumental rationality and advocates the redefinition of their ontological status through plant ethics;plant entwinement reconstructs ecological relationships on a planetary scale through multi⁃species symbiosis and systemic thinking;and plant⁃mediated art integrates biotechnology and digital technology,exploring the possibilities of plants as living materials and virtual existences.The Vegetal Turn is not only an innovation in art form,but also a philosophical practice that subverts anthropocentrism and reconfigures ecological ethics,providing creative solutions to the climate crisis and ecological alienation.

关 键 词：植物艺术 植物思维 植物权力 缠结 植物媒介 

分 类 号：J0[艺术—艺术理论]