村上“跑步”类比:文化认同与传播  

The Analogy in Murakami's“Running”Memoir:Cultural Identity and Transmission

作　　者：余亮妹[1] YU Liang-mei(Jinshan College,Fujian Agriculture and Forestry University,Fuzhou Fujian 350002,China)

机构地区：[1]福建农林大学金山学院,福建福州350002

出　　处：《湖北开放职业学院学报》2025年第8期193-195,共3页Journal of Hubei Open Vocational College

基　　金：福建省教育厅中青年教师教育科研项目资助项目(世界语言与文化专项)“外语教育的比较文化阐释学研究”(项目编号:JSZW23058)。

摘　　要：基于“跑步”文集,探讨类比写作对村上春树文化认同的意义与传播价值。作为一个动态发展的过程,文化认同直接反映在村上写作的不同阶段。在了解其作品西方中心主义潜在置换逻辑的同时也要注意到村上如何在跑步文集中充分调动西方的类比逻辑“跑”向国际:在无序中求秩序;在秩序中挑战极限;在极致的幻觉中发现本真;在文化的跨越中确立文化认同。对村上文化认同建构过程的研究发现跨文化传播使者的基本素养,即探索正念导向的交流动机、发现生活重复性对人格的锤炼价值、悬置刻板印象、跳出常规绕道瓶颈找自我以及对西方中心主义的警觉。Identity as a dynamic process is demonstrated throughout Murakami's writing career complied in his“running”memoir.With alert to his Western-centric perspective,it is still rewarding to dig into this memoir for his analogic approach to the cultural identity construction.Specifically,western analogy thinking has been exhausted in this work,seeking order in disorder,in which he has realized his limits and become conscious of himself and his identity.The intercultural experience,to some extent,makes Murakami's cultural identity reconstruction possible.Such study would shed some light on the qualities of competent intercultural speakers,namely mindful communication,life repetition value in personification,suspension of stereotype and prejudice,creative identification,and consciousness of Western-centric.

关 键 词：村上春树 类比 文化认同 西方中心主义 跨文化传播使者 

分 类 号：I106[文学—世界文学]