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作 者:黄婉婷 吴桂宁[1] HUANG Wantin;WU Guining
出 处:《重庆建筑》2025年第4期23-26,共4页Chongqing Architecture
摘 要:现代性转型中的“世界祛魅”表现为工具理性对价值理性的僭越,以及责任伦理对信念伦理的置换。这一进程在设计领域呈现出双重性:一方面,科学技术的高效性为设计创新提供了动力;另一方面,工具理性的同一性逻辑将设计压缩为单一化的技术实践,消解了其多元潜能与人文意涵。德勒兹哲学以“差异”与“生成”为核心,对传统形而上学的同一性框架提出批判,为设计领域的祛魅困境提供了突破路径。其差异本体论揭示了工具理性对设计多样性的压制,而生成思想则指向动态开放的设计可能性。该文通过德勒兹的哲学透镜,探讨设计如何在祛魅语境中重构其“复魅”路径——即通过主体能动性、技术潜能、差异与生成逻辑的协同,打破工具理性的垄断,重建设计作为多元意义载体的价值维度,最终回应现代性中自由与秩序的辩证张力。The"World Entzauberung"in the process of modernity transformation manifests as the transgression of instrumental rationality over value rationality,and the replacement of ethics of conviction by ethics of responsibility.This process exhibits duality in the field of design:on the one hand,the efficiency of science and technology provides impetus for design innovation;on the other hand,the identity logic of instrumental rationality compresses design into a singular technical practice,thereby negating its diverse potentials and humanistic connotations.Deleuzian philosophy,centered on"difference"and"becoming",criticizes the traditional metaphysical framework of identity,offering a breakthrough path for the disenchantment dilemma in the field of design.Its ontology of difference reveals the suppression of design diversity by instrumental rationality,while the idea of becoming points to dynamic and open possibilities in design.Through the philosophical lens of Deleuze,this paper explores how design can reconstruct its path of"reenchantment"in the context of disenchantment—that is,by synergizing subject agency,technological potential,and the logic of difference and becoming,breaking the monopoly of instrumental rationality,and re-establishing the value dimension of design as a carrier of diverse meanings,ultimately responding to the dialectical tension between freedom and order in modernity.
分 类 号:TU201[建筑科学—建筑设计及理论]
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