国产生态人文纪录片的影像建构及审美价值  

Image Construction and Aesthetic Value of Domestic Ecological and Humanistic Documentaries

作　　者：陈湘妍 CHEN Xiangyan

机构地区：[1]上海外国语大学新闻传播学院,上海200000

出　　处：《浙江艺术职业学院学报》2025年第1期58-63,共6页Journal of Zhejiang Vocational Academy of Art

摘　　要：生态审美是具有生态意识的审美,与传统审美不同,生态审美是观赏者基于生态系统整体理解所开展的审美活动。生态人文纪录片在如实展示自然环境的基础上强调人文主义的精神转向,从生态美学角度关注“人与自然”“人与人”“人与自身”三重关系。凸显生态审美的影像须经历“呈现、联结、发展”三个阶段。首先展现自然生态的美学特质,对存在的自然素材进行“选择”与“编排”。其次要关注人类活动与自然环境的相互联结,除了自然生态以外,仍需兼顾社会生态及精神生态多种类型的生态融合。最后则考虑发展问题,将整个生物圈视为审美视域,建构一个人与自然和谐共生的地球家园。Ecological aesthetics is the aesthetics with ecological consciousness,different from traditional aesthetics,ecological aesthetics is the aesthetic activity based on the viewer’s understanding of the ecosystem as a whole.Ecohumanistic documentaries emphasize the spiritual turn of humanism on the basis of truthful display of the natural envi⁃ronment,and pay attention to the threefold relationship between“man and nature”,“man and man”and“man and himself”from the perspective of ecological aesthetics.From the perspective of ecological aesthetics,it focuses on the triple relationship between“man and nature”,“man and man”and“man and himself”.Images that emphasize eco⁃logical aesthetics must go through three stages of“presentation,connection and development”.Firstly,it should show the aesthetic qualities of natural ecology,and“select”and“arrange”the existing natural materials.Secondly,it is necessary to pay attention to the interconnection between human activities and the natural environment,and in addi⁃tion to the natural ecology,it is also necessary to take into account the ecological integration of social ecology and spiritual ecology of various types.Finally,we should consider the issue of development,and regard the whole bio⁃sphere as an aesthetic field of vision,so as to construct a global home where human beings and nature coexist harmo⁃niously.

关 键 词：生态人文纪录片 生态美学 审美价值 

分 类 号：J952[艺术—电影电视艺术]