刘天华二胡音乐之“新”又“新”——以民族室内乐版本《病中吟》为例  

“New”and“Newer”in Liu Tianhua’s Erhu Music-Taking the Folk Chamber Music Version of Groaning in Illness as an Example

作　　者：柴帅[1] CHAI Shuai

机构地区：[1]中国音乐学院,北京100101

出　　处：《浙江艺术职业学院学报》2025年第1期71-76,共6页Journal of Zhejiang Vocational Academy of Art

摘　　要：《室乐天华——刘天华二胡民族室内乐新编》是中国音乐学院张维良、刘青等人在刘天华十首二胡曲原曲调的基础上,细化二胡演奏技巧,并以室内乐形式加以编配的作品集,尝试以今日的“调和”与“合作”之道来延续刘天华先生的国乐改进观,给其以现时代的新诠释。《病中吟》是刘天华先生创作生涯的第一首二胡作品,不论是其最初的创作动机、成就过程,还是如今室内乐形式新的演奏、情感表达理念,都值得引为刘天华二胡作品古今中西融合之道的分析典例。Chamber Music of Tianhua,A New Compilation of Liu Tianhua’s Erhu Folk Chamber Music is a collection of works by Zhang Weiliang,Liu Qing and others from the China Conservatory of Music.Based on the origi⁃nal melodies of Liu Tianhua’s ten erhu compositions,this collection refines erhu performance techniques and adapts the pieces into chamber music arrangements.It seeks to continue Liu Tianhua’s vision of improving traditional Chi⁃nese music through the modern principles of“harmony”and“collaboration”,offering a contemporary reinterpreta⁃tion.Groaning in Illness,Liu Tianhua’s first erhu composition,serves as a prime example for analyzing his approach of blending ancient and modern,Eastern and Western elements,whether in its original creative intent and achieve⁃ment or in the new chamber music form’s performance and emotional expression concepts.

关 键 词：刘天华 “新” 《病中吟》 民族室内乐 

分 类 号：J632.21[艺术—音乐]