元杂剧兴盛的思想文化背景  

An Exploration into the Ideological and Cultural Backgrounds of Yuan Opera's Rise and Popularity

作　　者：张大新[1] 

机构地区：[1]河南大学文学院,河南开封475001

出　　处：《河南大学学报（社会科学版）》2002年第6期14-18,共5页Journal of Henan University(Social Sciences）

摘　　要：元杂剧在金元之交的兴盛,是传统文化受到严重冲击以至失衡状态下超常规的产物,带有蒙元文化的鲜明印记。本文从元杂剧赖以形成的北曲的特质、蒙元文化多元交织的形态特征、全真教与元代理学的离合关系等方面,对元杂剧兴盛的思想文化背景进行了富有新意的发掘和归纳,力图将元杂剧兴盛原因的讨论引向理性思维与文化学的高度。Confucianism lost its dominance in the period of transition between Jin and Yuan Dynasties, and in this period Yuan Opera under the influence of the different cultures became very popular. This paper analyses the propertiesy of Beiqu and the multi-culture of different races , in addition, the relations of Quanzhen Tao and Confucianism in Yuan Dynasty. In doing so , it explores the ideological and cultural backgrounds of Yuan Opera, and tries to lead its reason to rational thought and culturology .

关 键 词：思想文化背景 元杂剧 蒙元文化 文学研究 民族文化 

分 类 号：I207.3[文学—中国文学] I206.2