中国古典诗学的"知音"论  

The Theory of Keen Belletristic Appreciation in Classic Chinese Poetics

作　　者：赵永纪[1] 

机构地区：[1]南开大学历史学院,天津300071

出　　处：《南京师大学报（社会科学版）》2003年第1期114-120,共7页Journal of Nanjing Normal University(Social Science Edition)

摘　　要："知音"难得,是古代诗人和诗论家常常慨叹的事情。这是由中国古典诗词的艺术特点和作者、读者主观、客观各方面的原因所决定的。古代诗论家在批评标准、批评态度、批评方法等方面都有不少论述,以期深入理解作者的用心,对作品做出正确评价。但由于文学作品的特殊形态,使批评者会产生种种不同的解说,有些虽未必合乎作者的原意,却会迎合不少读者的心理。Zhiyin, a person who is keenly appreciative of music, is a word of musicology at initialization phase.Many commenters and writers use the word as a terminology in their works. Many writers ,including some great poets, plainted that they could rarely meet someone who keenly appreciated of their peoms . The reasons of the phenomenon are very complicated. There are some reasons on the part of the writer and some on the part of the readers. Some of them are subjective and some are objective. Many commenters in the Chinese belletristic history discoursed upon the issue. They submitted plenty of papers to account for the troubles. They debated from every aspect about commentary and appreciation of the poems. This article is a monograph about some aspects, as comportment,criteria, technique etc of Zhiyin.

关 键 词：知音 文学批评史 古典诗学 

分 类 号：I207.22[文学—中国文学]