张承志作品的意象群落  

The Imagery Groups in Zhang Chengzhi' s Literary Works

作　　者：徐习文[1] 海阔[1] 

机构地区：[1]中南民族大学文学院,湖北武汉430074

出　　处：《菏泽师专学报》2002年第3期13-17,共5页

摘　　要：“意象指创作主体通过艺术思维所创造的融汇了主体意趣的形象。”通过意象,作者把自己的影子投射到物质中;通过意象,我们也可以解读作者的意旨。对于回族作家张承志来说,意象是一种特有的话语方式。他的小说和散文均呈现出浓烈的诗性。与其说作为作家的张承志创造了作品意象,毋宁说意象创造了作为张承志的作家。本文把作家现实经历及文本透露出的主体经验作为“意”,把作品中选取、塑造的具体形象作为“象”,把二者的交合物群看作一个具有整体性的意象群落,剖析出群落的形成因素、群落的特性和群落的指涉意义。Imagery means images which integrated with personal interest and charm produced by creative subject by means of thinking in art. With the help of imagery ,the subject can reflect himself in materials ,and the readers can understand his intentions. To Zhang Chengzhi,a writer of the Hui Nationality , imagery is a peculiar style of speech. His novels and proses all present features of poetic flavour. It is imagery that turned Zhang Chengzhi into a writer rather than Zhang Chengzhi as a writer created imagery in his works. The subject's experience revealed in the text is regarded as 'Yi' , concrete images selected and formed is regarded as 'Xiang' , and their merger is regarded as an integrated imagery group. This article analyzes the causes, features and implied significance of the imagery group.

关 键 词：张承志 文学作品 意象群落 创作主体 艺术思维 诗性 艺术风格 

分 类 号：I206.7[文学—中国文学]