日本歌舞伎与郭沫若早期戏剧  

Japan's Kabuki and Guo Mo-ruo's Early Dramas

作　　者：靳明全[1] 

机构地区：[1]四川大学文学与新闻学院

出　　处：《西南师范大学学报（人文社会科学版）》2003年第3期159-162,共4页Journal of Southwest China Normal University(Philosophy & Social Sciences Edition)

摘　　要：若将郭沫若早期戏剧与日本歌舞伎进行比较 ,不难看出 ,郭沫若早期戏剧具有日本歌舞伎的四情变化范式、舞台节奏多“间”、舞台解说有“点”、舞台布景多层次等特点。所以 ,要很好地欣赏郭沫若早期戏剧 。Comparing Guo Mo-ruo's early drama s with Japan's Kabuki, it's easy to discover that his early dramas have the char acteristics of Kabuki such as the changing forms of the four emotions, the 'Pau se' of the theatrical rhythm, the 'interpret' of the theatrical commentary as well as the multi-level of the stage scenery. So, when good appreciations of G uo Mo-ruo's early dramas are wanted, it's necessary to grasp the artistic cha racteristics of Japan's Kabuki.

关 键 词：歌舞伎 郭沫若 戏剧 比较 

分 类 号：J824[艺术—戏剧戏曲] I207.34[文学—中国文学]