不应遗忘的文艺思想史:普列汉诺夫与现代中国  

The history of literary and artistic thought should not being forgotten:Plekhanov and modern China

作　　者：代迅[1] 

机构地区：[1]西南师范大学中文系,重庆400715

出　　处：《学习与探索》2003年第3期101-106,共6页Study & Exploration

摘　　要：普列汉诺夫对中国现当代文学理论产生过巨大影响 ,但是现在被我们遗忘了 ,这是苏联思想文化领域的深刻变动和我们盲目追随的结果。回顾历史 ,普列汉诺夫艺术社会学的思想体系 ,包括艺术起源于劳动的观点 ,从认识论走向阶级论的理论思路 ,对现代西方艺术全盘否定的简单化态度等 ,无不深刻地影响着我们的美学和文艺理论 ,并构成了 2 0世纪大部分时间里中国文艺的主流叙述。普列汉诺夫文艺思想体系本身的矛盾与张力 ,依然是我们继续发展的理论生长点。Plekhavov has produced a tremendous impact on the literary theory of modern and contemporary China, but that has been forgotten by us at present.It is the result of the deep change in the field of thought and culture of the Soviet Union and our blind follow. Reviewing the history Plekhanov's system of artistic sociological thought, including the viewpoint of the origin of art from labor, the train of thoughts from epistemology to the theory of the classes, simple attitude of complete negation of Western art , all of those are invariably influencing our aesthetical and literary theory, and those had constructed the main narration of Chinese literature and art of a majority of time in the 20-th century. The contradiction and tension of Plekhanov's system of thought literature and art itself is still our growth-point of the continuous developing theory.

关 键 词：普列汉诺夫 艺术社会学 中国现当代文学理论 

分 类 号：I0[文学—文学理论]