多元与边缘:20世纪末的台湾文学  

Multipolar and Brink:Taiwan Residents Literature at the End of 20th Century

作　　者：古继堂[1] 

机构地区：[1]中国社会科学院文学研究所,北京100732

出　　处：《洛阳师范学院学报》2003年第1期57-61,共5页Journal of Luoyang Normal University

摘　　要：到了 2 0世纪末 ,由于政治和思潮的多元化 ,台湾文学也趋于多元化。现实主义文学在新形势下又有新的崛起 ,后现代派文学在台湾形成一股潮流 ,高山族文学在现代文明的带动下得到明显的提高 ,“文学台独”在政治势力的庇护下公开登场。与文学的多元化相呼应 ,台湾文坛出现了颠覆中心的“边缘”文学理论 ,引起了人们关注。此外 ,随着海峡的解冻 ,两岸文化交流日益频繁 ,推动了两岸文学的沟通和融合 ,乡愁文学逐渐地向探亲文学转化 ,有利于祖国统一大业。At the end of 20th century, due to multipolar politics and ideological trends, Taiwan Residents literature tended likewise to be multipolar. The actualistic literature sprang up afresh under new situation. Postmodernistic literature made a tideway. The literature of the Gaoshan nationality, under the influence of modern civilization, made remarkable progress. 'Taiwan literature independence' in asylum of political power came on stage. In concert with the multipolar, 'brink' literature theory showed up in Taiwan Residents literature, calling people's attention. And furthermore, as cross-strait relation normalized, increasing cultural exchanges of the both sides spurred up communication and fusion of literature. Literature of homesick nostalgia was transforming to groping literature and contributing to the unification of our country.

关 键 词：现实主义文学 后现代派文学 多元化 20世纪末 台湾省 台湾文学 “边缘”文学理论 

分 类 号：I206.7[文学—中国文学]