中国诗学的三个界限——陈伯海先生著作三种重读有感  

Three Borderlines of Chinese Poetics

作　　者：朱生坚[1] 

机构地区：[1]上海社会科学院文学研究所

出　　处：《上海文化》2015年第3X期113-118,127,共7页Shanghai Culture

摘　　要：陈伯海先生《中国诗学之现代观》、《回归生命本原》、《生命体验与审美超越》界定了中国诗学的基本特征,阐释了它的基本概念和范畴。本文在此基础上勾勒中国诗学的三个界限:一是文学性或诗学与诗教的界限,二是雅与俗或诗人与士人、世人的界限,三是生与死或有神论与无神论的界限。在这三种界限上,中国诗学要求实现个人的自觉,成为一个更好的人乃至对人的超越。In his latest three works, Mr. Chen Bohai defined the essential characteristic, and expounded the fundamental categories and concepts of Chinese poetics. On the base of his excellent works, this paper tries to give a brief account of the three borderlines of Chinese poetics, the one is that of literariness, or between the poetics and politics: the other is between elegance and vulgarity, or among poets, intellectuals and common people; the third one is between life and death, or theism and atheism. Around these three borderlines, Chinese poetics requires selfconsciousness, to be a better man and the transcendence of humanity.

关 键 词：中国诗学 生命论 界限 

分 类 号：I207.22[文学—中国文学]