论文艺复兴小说的亵神性  

ON THE BLASPHEMY SHOWN IN RENAISSANCE FICTION

作　　者：李亚白[1] 

机构地区：[1]内蒙古师范大学汉文系,内蒙古呼和浩特010022

出　　处：《内蒙古师范大学学报（哲学社会科学版）》2003年第1期74-78,共5页Journal of Inner Mongolia Normal University：Philosophy and Social Sciences Edition

摘　　要：　文艺复兴小说蔑视神圣、反叛权威的倾向,是其主要精神物质,反映了西方中世纪文化向近代文化转型时期,人民性、世俗性的新文化对封建文化的冲击与颠覆。这种渎神意识通过讽刺艺术、狂欢化手法和反叛性主人公表现出来,具有强烈、深刻的现实揭露性,直接影响到西方叙事文学社会批判、文化批判传统的形成。The tendency towards blasphemy and antiauthority shown in renaissance novels is the basic spiritual nature of these novels, which reflects the impact and the overturn of the feudal culture by worldliness and the affinity of the people And this sort of blasphemy is expressed by .satire, carnival and rebellious characters, which is a strong, and deep exposure of the reality and exercises influences directly on the formation of the tradition of social criticism and cultural criticism of the western narrative literature.

关 键 词：文艺复兴小说 读神意识 讽刺性模拟 狂欢化 反叛主人公 文化批判 

分 类 号：I106[文学—世界文学]