《春》的断层现象与藤村文学创作方法的确立  

The Inconsistency of Spring and the Establishment of Shimazaki Toson's Literary Techniques

作　　者：刘晓芳[1] 赵思嘉[1] 

机构地区：[1]同济大学外国语学院

出　　处：《日语学习与研究》2015年第3期94-101,共8页Journal of Japanese Language Study and Research

基　　金：国家社科基金项目"自我告白意识与藤村文学嬗变研究"(项目编号:12BWW017)的阶段性研究成果

摘　　要：《春》是岛崎藤村继《破戒》大获成功之后创作的又一力作。《春》所存在的断层现象正是作者在创作方法上进行摸索和转型的象征。在自我凝视精神的哺育下,作者不仅确立了以自己的个人生活为主导的文学主题,也通过直接把自己作为小说主人公而成功摆脱了原型问题的困扰,并由此在小说观念上发生了变化,放弃了虚构的手法,转而以自传体的自我告白的形式进行创作。《春》意味着藤村文学创作方法的正式形成。Spring is another success of Shimazaki Toson after his Breaking the Taboo. The inconsistency in Spring is the symbol of his exploration and transformation of literary techniques. In the spirit of self-contemplation, Shimazaki not only made his personal experience the literary theme, but also successfully got rid of the trouble of prototype by writing about himself as the hero of his novels, thus abandoning fictional techniques and turning to the self-confession of autobiography.Spring indicates the formation of Shimazaki's literary techniques.

关 键 词：岛崎藤村 《春》 自我告白 创作方法 

分 类 号：I313.074[文学—其他各国文学]