从曹禺戏剧两类女性形象看其创作心态和审美风格的变化  

The Change of CAO Yu's Creation Heart Form and Beauty Appreciation Style From His Two Kinds of Female Images Dramas

作　　者：孙丽玲[1] 

机构地区：[1]曲靖师范学院,云南曲靖655000

出　　处：《学术探索》2003年第6期91-94,共4页Academic Exploration

摘　　要：曹禺戏剧塑造了两类女性形象 :“魔女”和“天使”。“魔女”形象表现了作者早期追求原始生命力、回归自我、反抗压抑的情欲 ;“天使”形象反映了作者后期回归传统、逃避自我、认同社会规范的心理。两极化女性形象影响了作家的审美情趣和作品的艺术风格 ,从“生命之美”转为“爱情之美” ,从热烈激荡转为平淡深沉。CAO Yu has portrayed two kinds of female images-evil spirit woman and angel by the drama. Evil spirit woman's image show that the author seeks original life-force in early stage , and the recurrence is selfhood , and the oppressive feeling of opposing is about to . The image of angel has reflected author's later period recurrence tradition , and escapes , and recognizes the mentality of society standard selfhood . The bipolarity of the female image influence the artistic style of the beauty appreciation temperament and interest of writer and works, and from life beautiful changes into love beautiful , follows ardently to agitate to change into flat deeply . This is the amalgamation and the conflict in author's concept of difference of western beauty appreciation civilization and the nation of traditional civilization.

关 键 词：曹禺 女性形象 魔女 天使 创作心态 审美风格 

分 类 号：I207.3[文学—中国文学]