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作 者:王源[1]
出 处:《兰州大学学报(社会科学版)》2003年第4期101-104,共4页Journal of Lanzhou University(Social Sciences)
摘 要:20世纪40年代处于不同政治区域内的民间作家赵树理和张爱玲,为了不同地域中读者的期待视野,选取了中国民间文化形态作为自己创作的价值取向,然而由于他们出身和生活经历的差异,致使他们接受了不同的中国传统文学文本影响,导致其艺术表现方式的不同。赵树理填补了五四新文学在乡村社会留下的巨大空白,创建了中国新的民间形式;张爱玲以现代意识提升了传统都市通俗文学的品格。ZHAO Shu-li and ZHANG Ai-ling,two accomplished writers of the 1940s,developed different styles in their common search for folk tradition. This is partly due to the two politically distinct areas in which they lived and the different expectations from their respective audiences, and partly due to their enormously different breeding and social milieus. While both seeking to get inspiration from the traditional Chinese culture, they were inspired by different, or even opposite, aspects of it and thus followed two different routes: ZHAO engaged in the delineation of rural China,while ZHANG absorbed in the landscape of urban humanity.
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