动像视听传媒及其艺术形式的逼真性和运动性美学特征  

The Aesthetic Characteristic of the Verisimilitude and Motility of the Action AV Media and Its Artistic Forms

作　　者：黄俊杰[1] 

机构地区：[1]贵州大学中文系,贵州贵阳550025

出　　处：《贵州大学学报（艺术版）》2003年第2期38-42,共5页Journal of Guizhou University Art Edition

基　　金：2003年全国艺术科学规划课题暨贵州省2003年度"五个一"工程选题系列论文之一

摘　　要：逼真性和运动性是动像视听传媒及其艺术形式区别于其他传媒及其艺术形式的两个带根本性的美学特征。所谓“逼真性”是指其逼真地记录、传真并复制显现与存贮活动对象的性质,是现代科学技术给它提供的便利。高度的逼真性手段必然要求银屏反映生活的外在真实和内在真实的高度统一。但它跟动像艺术的现实主义本性是不一样的,不能混为一谈。动像视听传媒及其艺术形式的运动性美学特征是指通过不断变换着的画面表现运动着的人和事物的特性。运动使动像视听传媒得以区别于其他的传媒,使动像艺术获得视点的解放而独立于艺术之林。动像视听传媒及其艺术形式的画面运动在延续的时间中获得叙事性的功能,得以反映千姿百态、丰富多彩的社会生活与物质世界。The verisimilitude and motility are the two fundamental aesthetic characteristics, which dis-tinguish the artistic forms of the action AV media from those of other medium. That called ' Verisimilitude' means to record, to facsimile, to copy, to reveal and to save up realistically the characteristic of the acting ob-jects. It is modern science and technology that provide the convenience. The masterly verisimilitude measures necessarily require the unification of both the exterior and the interior realities reflected from the TV screen. But it is not the same as the realistic nature of the action art form and cannot be confused. The motility aesthetic characteristic of the action AV media and its artistic forms indicates to reflect characteristics of the mov-ing human and things by means of unceasingly changing frames. Motility distinguishes the action AV media from other medium and makes action art free from the point of view and standing high in the art circle. The movements of the frames in the action AV media and its artistic forms gained narrative functions in the contin-ued time. So the various, rich and colorful social life and materiel world are reflected.

关 键 词：动像视听传媒 艺术形式 逼真性 运动性 美学特征 

分 类 号：J901[艺术—电影电视艺术]