在审美中做裁判人——二论新寓言小说家的创作观  

Be an Objective J udge in the Aesthetic Appreciation --a second study of the creation views of the new fable novelists

作　　者：吴春兰[1] 

机构地区：[1]泉州师范学院中文系,福建泉州362000

出　　处：《莆田学院学报》2003年第4期68-70,共3页Journal of putian University

基　　金：泉州师范学院校自选课题(2003SK08)

摘　　要：新寓言小说作家有意间离艺术和生活是与美学中的“距离说”有关系的。他们认为真正美的事物是远离现实生活的,是虚幻的。现实生活使他们心理压抑,于是新寓言小说的作家向往着与现实世界迥然不同的理想世界,而这又是产生创作的动力。他们还认为创作的符号———理想的世界是因时而变的。That new fable novelists seperate art from life is connected with the distance theory in the aesthetics. They think that the true beauties are far away from the real life, and are illusory. The real life makes them feel much depressed. Therefore, new fable novelists dream of ideal world that is quite different from the real one, which in turn is the motion of the creation. They also believe the signal of the creation -- - the ideal world changes over time.

关 键 词：审美 新寓言小说家 创作观 艺术 生活 “距离说” 

分 类 号：I207.42[文学—中国文学] I04