从不合时宜到合法化经典化——莫里哀喜剧成功潜因初探兼论审美合法性  

From Inappropriateness to Sufficiency and Classicism——On the potential causes of Molière's comedy success and the sufficiency of the Appreciation of the Beautiful

作　　者：常江虹[1] 

机构地区：[1]惠州学院中文系,广东惠州516007

出　　处：《惠州学院学报》2004年第1期31-36,共6页Journal of Huizhou University

摘　　要：文章以莫里哀喜剧在推崇悲剧的古典主义时期大获成功的特殊文化现象为着眼点,从作家创作的社会背景、政治因素、审美格局和喜剧特点及艺术传承等入手展开多方位的考察,分析探究了莫里哀喜剧成功的多元复杂的潜因,并由此对审美合法性问题作了一定思考阐述。The article starts from the review of the unique cultural phenomena concerning Molière's huge success of the comedy in the classicism era of holding in great esteem for the Trugedy,then it looks at the social background,political factors,the appreciation of the beautiful,the features of comedy as well as the artistic heritage of the writer's creative comedies from the multi perspectives.Finally,the author analyses a variety of potential causes leading to the success of Molière's comedies and expownds in greater detail of the problem relating to the sufficienly of the appreciation of the beautiful.

关 键 词：莫里哀 喜剧 古典主义 主流 审美合法性 

分 类 号：J802.1[艺术—戏剧戏曲]