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作 者:马婷芳[1]
出 处:《河北北方学院学报(社会科学版)》2015年第5期18-22,共5页Journal of Hebei North University:Social Science Edition
基 金:陕西理工学院研究生创新基金科研项目(SLGYCX1047)
摘 要:陆士谔的翻新小说有着丰富的叙事艺术,在假托原著外衣的基础上,尝试"陌生化"的艺术追求,借前代人用当代语写当代事。在叙事结构方面经常运用著者介入的方法,打断叙事过程,与读者进行一番交流;在叙述时间上灵活运用,时而以时为序,时而作以补述,时而叙事时间独立,时而叙事时间纠缠;叙事视角也能灵活转换,摒弃了传统小说单一的全知视角;叙事语言诙谐幽默,有时又直笔讽刺。Lu Shi-e’s reinvented fictions are full of abundant narrative art.On the basis of borrowing the appearance of original works,he tried the artistic pursuit-unfamiliarity which is characterized with telling the present stories in the present language but by means of the people of previous generations.In terms of narrative structure,the author often interrupted the narration and had a discussion with readers. He was flexible in the use of narrative time and narrative perspectives,and he abandoned the simple omnis-cient perspective in traditional fictions.His narrative language was often humorous as well as unprejudiced and satirical.
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