中国古代文学“雾豹”意象的多重义蕴  

On the Multiple Meanings of the Image of “WuBao” in Chinese Ancient Literature

作　　者：李光生[1] LI Guangsheng(College of Liberal Arts,Henan Normal University,Xinxiang,Henan 453007)

机构地区：[1]河南师范大学文学院,河南新乡453007

出　　处：《中国文学研究》2019年第1期109-114,共6页Research of Chinese Literature

基　　金：国家社会科学基金一般项目"南宋科举视域下的古文经典化研究"(17BZW096);教育部人文社科一般项目"周必大与南宋文化"(16YJA751012);河南省高校科技创新人才支持计划(人文社科类)"南宋文章选本与古文经典化研究"(2019-CX-017)

摘　　要：雾豹意象源出《列女传》陶荅子妻的故事,本为避害之隐喻,后随着隐逸之风的盛行主要与隐逸主题相关联并成为文学传统。而在宋人尤其是黄庭坚而言,雾豹又是美文赖以形成的条件和过程的文化符号,蕴涵着宋代诗学中对读书的深度执著。Deriving from the story about wife of Tao Tazi in Biography of Women in Ancient China,the image of WuBao originally was a metaphor for avoiding harm. Later,it mainly was connected with the theme of seclusion and became a literary tradition along with prevailing the wind of seclusion. In the Song Dynasty,especially Huang Tingjian,Wubao was the cultural symbol of forming condition and process of the beautiful essay,which contained the deep persistence of reading in the Song Dynasty poetics.

关 键 词：雾豹 远害 隐逸 美文 诗学 

分 类 号：I206.2[文学—中国文学]