“变风变雅”与春秋时代的城邑文明  

The Changing Poetic Styles and the Urban Civilization of the Spring and Autumn Period

作　　者：刘冬颖[1] 

机构地区：[1]浙江大学人文学院,浙江杭州310028

出　　处：《北方论丛》2004年第1期4-7,共4页The Northern Forum

摘　　要：春秋时期是中国古代城市发展史乃至社会发展史上的一个极为重要的转折期,礼崩乐坏的局面开始出现。城市的发展促进了经济的繁荣,形成了充满丰富性与多元性的城市文化。在礼崩乐坏的社会现实下,《诗经》中的篇章风格也发生了明显的转变,从雍容典重的雅、颂诗篇,变而为直抒胸臆、讽喻时政的变风变雅诗。城市的繁荣促进了“变风变雅”诗篇的发展,城市生活的印记在诗篇中也不可避免地显露出来。《诗经》与西周春秋时期的城市生活密切相关,记录了当时极其发达的城邑文明。《诗经》的作者不是下层劳动人民,《诗经》不是民歌。The Spring and Autumn Period is an extremely important turning stage in the history of ancient Chinese urban development and even the history of social development when the rites and music deteriorated. Development of cities promoted economic prosperity and thus gave rise to rich and pluralistic urban culture. Against the social reality of deteriorating rites, the style of some of the chapters in the Book of Songs also exhibited marked changes from the elegant and refined odes and eulogies to plainspoken and outright political allegorical poems of changed styles. Urban prosperity promoted the development of poems of changed styles and impressions of urban life inevitably emerged in the poems. The Book of Songs was closed related to the urban life of the Spring and Autumn Period of the West Zhou Dynasty, which differs from the traditional notion that they are folk songs recording the actual rural life of the ancestors. This article proves that the Book of Songs records the highly developed urban civilization from the records of excavations of cities and the documentation of the pre-Qin times, thus concluding that the author of the Book of Songs did not come from the lower social strata and the Book of Songs was not one of folk songs.

关 键 词：变风变雅 春秋时代 城邑文明 

分 类 号：K225[历史地理—历史学]