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作 者:周建忠[1]
机构地区:[1]南通师范学院,江苏南通226007
出 处:《云梦学刊》2004年第1期5-7,共3页Journal of Yunmeng
基 金:国家社会科学基金项目(02BZW037)
摘 要:《楚辞》一书,既非出自一人之手,也不出于一个时代,它是不同的时代和不同的人们逐渐纂辑增补而成的。《楚辞》的上源是复杂、多元的。《楚辞》与《诗经》在艺术形式上的差别主要体现在意境、情调、抒情技巧、比兴象征上。楚辞学的研究规律是:每一种学术派别、研究方法的出现,总是与当时的文化学术思潮相联系。任何摆脱时代制约的努力,往往正是时代思潮的反映。由于20世纪70年代以后楚简、秦简、汉简、楚帛书帛画、楚国青铜器及铭文的大量发现,这种地上之文献与地下之文物相互印证的方法很快被楚辞学界所接受和运用,沿袭多年的文献考据之法、义理评论之学,升华为地上文献与地下文物相印证,传统考据与西方理论相结合,形成了文字、文献、礼制、民俗、民族、考古、历史、哲学、宗教等多学科的融合。The Songs of the South,which is compiled and supplemented by varied scholars in varied ages instead of any single man in any specific period,originates from complicated and pluralistic elements.The mood,emotinal appeal,the technique of emotion expressing and the symbolic rhapsody symbolize the chief differences on artistic form between The Songs of the South and The Book of Songs.The study of The Songs of the South has its law:the appearance of each academic school and research method is linked to the ideological trend of that age,and any effort to break away from the restriction of the age is the reflection of the trend.After 1970s,with the immense discovery of bamboo slips of Chu,Qin and Han,Chu's silky books and paintings,bronzewares and inscriptions,the verification of documents on the ground and cultural relics underground is accepted and applied by academic circles of The Songs of the South.The long-used research methods of textual criticism and reason and good sense have been raised to a higher level:verification of documents and cultural relics,connection of traditional textual criticism and western theories,blending of various subjects,such as scripts,documents,courtesy,customs,nations,archaeology,history,philosophy,religon,and so on.
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