原始思维与印度美学的不解之缘  

The Close Relation between Primitive Thinking and Indian Aesthetics

作　　者：邱紫华[1] 

机构地区：[1]华中师范大学文学院,湖北武汉430079

出　　处：《华中师范大学学报（人文社会科学版）》2003年第5期127-132,共6页Journal of Central China Normal University:Humanities and Social Sciences

基　　金：国家社会科学基金项目"东方美学范畴研究"( 0 0 BZX0 43 )

摘　　要：印度美学是美学史上具有独特形态的美学体系。其中 ,原始思维方式对印度美学思想诸种特点的形成有着重大而深刻的影响。本文从原始思维的具体性、象征性、完整性、情感性、意会性、直觉性等特点入手 ,分析原始思维对印度美学思想和艺术形态的具体的影响 ,认为正是由于原始思维的影响 ,才形成了印度美学的主体性原则 ;才导致印度美学从关注有限走向追求无限 ;才使其艺术创造从可言说走向追求不可言说之美 ;Indian aesthetics has its special state in aesthetic system, and the primitive thinking way has great influence on the features of lndian aesthetics. This paper, from the perspective of the features of primitive thinking, analyzes its influence on lndian aesthetics thinking and its art state. It believes that it is because of the influence of primitive thinking that the subjectivity principle of Indian aesthetics comes into being, that Indian aesthetics concerns from the limited to the unlimited, and that the art creation of Indian aesthetics pursues from the speakable to the unspeakable, from displaying reality to displaying mental super experience.

关 键 词：原始思维 万物有灵 物我同一 印度美学 

分 类 号：B83-09[哲学宗教—美学]