松花江下游赫哲族的萨满乐器  

The Shaman Instruments used in the Minority of Hezhe in the Lower Reaches of Songari River

作　　者：刘桂腾[1] 

机构地区：[1]丹东市文化局

出　　处：《黄钟（武汉音乐学院学报）》2004年第1期22-29,共8页Huangzhong:Journal of Wuhan Conservatory of Music

基　　金：全国艺术科学"十五"规划课题<中国东北少数民族萨满乐器研究>(01BD29)中的一部分;国家社会科学基金资助。

摘　　要：我国的赫哲族是个跨国民族,俄罗斯境内的称“那乃人”。黑龙江省同江市街津口一带,是近世赫哲族萨满祭祀活动的主要遗存地。作为原始宗教祭祀仪式主要法器的萨满乐器,是赫哲人与神灵沟通的媒介。赫哲族的萨满鼓造型奇异,是萨满的象征和祭祀仪式的标志性乐器。萨满乐器形制的渔猎文化特色和乐器配置的多源化结构.构成了赫哲族萨满乐器的基本文化特征。The Minority of Hezhe in China is a transnational one. The district of Jie jin kou in Tongjiang city, Heilongjiang province is a main historical remains place for the Hezhe to held Shaman sacrifice activities in the modern time. As the main faqi (musical instruments used in a Buddhist or Taoist mass) used in original religionary sacrifice ceremony, the Shaman instrument is a kind of medium to communication between the gods and human. The Shaman drum with fantastic figure in Hezhe is Shaman symbol and the typical instrument in sacrufuce ceremony. Those the fishing-hunting cultural characteristics of the Shaman instruments figure, and the multi-structures of instrumental arrangement made up the basic cultural features of Shaman instrument in Hezhe.

关 键 词：萨满 乐器 赫哲族 仪式音乐 渔猎文化 松花江 街津0 

分 类 号：J632.59[艺术—音乐]