“雎鸠”究竟为何“关关”?——中国古典抒情理论的本原性探讨  

Why does the water cock sing?——A principle research on China lyric theory

作　　者：李珺平 

机构地区：[1]广东湛江师院中文系,广东湛江524048

出　　处：《中国文学研究》2003年第3期13-17,共5页Research of Chinese Literature

摘　　要：对“情”加以限定并拉通情、志、意之间的关系 ,是中国抒情理论本原性探讨的核心问题。“诗言志”虽是古典抒情论的滥觞 ,但“二乐”、《诗大序》以及孔颖达对于志、意、情三个范畴的协调 ,才使汤显祖不着痕迹地将“言志”说转换为“言情”说。It is a core question of the principle research on China lyric theory that limits the meaning of affection and links up the connection with Zhi and Yi Though'Shi-YanZhi'is the beginning of the classical lyric theory,the threefold studies of'Two works about Music','Shi-YanZhi'and Kong-Yingda's coordination of Zhi,Yi and affection enlighten Tang-Xianzu to change the theory of'Expressing ZHI'into theory of'expressing Affection'.

关 键 词：“雎鸠” “关关” 抒情理论 本原性 “言情”说 

分 类 号：I207.22[文学—中国文学]