《死魂灵》的体裁独特性  

On the Distinction of the Form of Dead Souls

作　　者：于明清[1] 

机构地区：[1]中国社会科学院文学研究所,北京100102

出　　处：《阴山学刊》2003年第5期12-14,39,共4页Yinshan Academic Journal

摘　　要：关于《死魂灵》的体裁,历经百多年争论不休。《死魂灵》包容了整个19世纪上半期俄国社会生活的各个层面,视野广阔;它探讨了如何引导全民族由堕落走向复兴的哲学问题,意义深远;它抒情叙事的写作手法,各章节相对独立的结构形式都与史诗相吻合;它富于教诲意义,语言凝炼,形式独特,表现手法夸张,展示俄罗斯社会生活的全面和探讨俄罗斯命运问题的深刻,都使它当之无愧地被称为一部反映了整个俄罗斯的伟大史诗。For more than 100 years, people have argued for the form of Dead Souls. Dead Souls has wide field of vision that include all sides of Russian society in the first half 19th century; it has a profound significance by discussing the philosophic question of getting the national rejuvenation. The lyric narration and the distinctively dependent chapters are identical with the epics. With which it is regarded as a great Russian epic reflecting all the Russia.

关 键 词：果戈理 《死魂灵》 体裁 史诗 

分 类 号：I512.064[文学—其他各国文学]