论魏晋南北朝的同题共作赋  

On the Collaboration of Fu from the Wei, Jin, South and North Dynasties

作　　者：马予静[1] 

机构地区：[1]河南大学文学院,河南开封475001

出　　处：《河南大学学报（社会科学版）》2003年第5期56-59,共4页Journal of Henan University(Social Sciences）

摘　　要：同题共作属于集体性的创作活动,赋的同题共作以魏晋南北朝为盛,这与当时文学集团的兴盛有直接关系。同一命题、相同环境下的创作,及其所固有的切磋品评的创作目的,使同题共作赋呈现出相反相成的两种倾向:一是题材范围和艺术风格上的趋同,二是同中求异的竞胜争高。这种方式的创作对于赋体文学表现领域的拓展和艺术技巧的提高都产生了重要作用。魏晋南北朝同题共作赋的文学史意义,则主要表现在促进了短赋的发展,并加快了多诗少赋的文学进程。Collaboration on the same topic is a collective activity. Collaboration of Fu (descriptive prose interspersed with verse) was prosperous from the Wei, Jin, South and North Dynasties due to the prosperity of literary organizations. The same topic was created under the same circumstance, studied by mutual discussion resulting in two tendencies in the collaboration of Fu: one was the difference and similarity in subject-matter and artistic style, the other was winning in competition by finding differences from the similarities. This kind of collaboration was of great importance to widening the Fu literature and improving the artistic skill of creating Fu. The importance of Fu from Wei, Jin, South and North Dynasties in literary history was that it not only improved the development of short Fu, but also accelerated the literary process of 'more poetry and less Fu'.

关 键 词：魏晋南北朝 同题共作赋 文学集团 趋同倾向 争高意识 

分 类 号：I206.2[文学—中国文学]