论音乐美的纯粹性——对音乐本质的思考之三  

The Purity of Music——Reflection on Music Essence

作　　者：邓双林[1] 

机构地区：[1]北京科技大学文法学院,北京100083

出　　处：《北京科技大学学报（社会科学版）》2003年第3期74-80,共7页Journal of University of Science and Technology Beijing(Social Sciences Edition)

摘　　要：　文章对中国目前盛行的认为音乐能够表达概念性内容的音乐观念提出了辩驳,并分别从音乐的实践情况、语义学考察等几方面论述了音乐的特征,提出了作者对音乐本质认识。文章认为:强调音乐有概念性内容的原因之一是文以载道的传统工具论音乐美学观在现代中国的延续。基于上述分析,作者提出对音乐美的认识;音乐美就是乐音的运动,相比于其他门类的艺术,音乐美更加具备普遍性、纯粹性。This thesis brought forward the elenchus on the popular musical concept that music is just an expression of the conceptive content. The anthor has studied music character istic by analyzing from musical practice and semantics reviewing to indicate what the essence of music is. This thesis has also given its analysis of one of the reasons to emphasize that music has a conceptive content is using the traditional methods to define and determine music esthetics is continuingly prevailing in China. Based on those aspects' analysis, the writer put forward her understanding and viewpoint: The beauty of music is within its score's flowing. Compared with other forms of art, the beauty within music bears more characteristics of universality and purity.

关 键 词：音乐美 纯音乐 纯粹美感 音乐本质 纯伴性 音乐实践 语义学 

分 类 号：J601[艺术—音乐]