世纪之交的中国文化艺术转型:趋势与表征  

The Transformation of Chinese Culture and Art at the Turn of the Century: Trends and Representation

作　　者：何一薇[1] 陈旭光[2] 

机构地区：[1]北京外国语大学国际交流学院,北京100089 [2]北京大学艺术系,北京100871

出　　处：《海南师范学院学报（社会科学版）》2003年第5期79-84,共6页

摘　　要：世纪之交的文化艺术转型包含了众多艺术门类的整体艺术思潮和审美文化,也指涉了社会经济、价值观念、文化习俗等的全方位变化。这表现在社会市场化、阶级分层化、意识形态的淡化与分化,大众传媒文化尤其是影像文化或视觉文化的崛起,审美的娱乐化、感官化、消费化,艺术的大众化、世俗化、平面化和商品化等方面。这种转型体现于从以第四、第五代电影为主体的"新时期"到以"第六代"和"第六代后"电影和娱乐化、商业化影视文化趋势为主体的"后新时期"的话语转换之中。文章进而分析论述了影视艺术在结构、视角、时空意识等话语转型的方方面面。The cultural and art transformation at the turn of the century involves not only changes concerning the entire artistic trend of thoughts and aesthetic culture of many art categories but also overall changes in terms of society, economy, values and cultural customs. The changes are manifest in such aspects as the commercialization of society, class stratification, the weakening and breaking up of ideology, the emergence of mass media culture, esp. cinematic culture or visual culture, the recreational, sensuous inclination of aesthetics, the popularization, secularization and commercialization of art. In other words, the transformations are embodied in the discourse change ranging from the'New Period'represented by films of the 5th and 6th generations to the 'post-new Period' dominated by the films and commercialized culture of the'6th generation' and'the post-6th generation'. This paper aims to analyze the discourse changes in terms of structure, point of view, spatial and temporal consciousness, etc.

关 键 词：中国 文化艺术转型 审美文化 影视艺术 影像文化 

分 类 号：G122[文化科学]