《李长吉歌诗解读》前言  

Preface to Commentaries on Collections of the Poems by Li Changji

作　　者：黄世中[1] 

机构地区：[1]温州师范学院人文学院,浙江温州325035

出　　处：《温州师范学院学报》2004年第1期39-45,共7页Journal of Wenzhou Teachers College(Philosophy and Social Science Edition)

摘　　要：李长吉诗非“无理”、“少理”、“无补于用”,实乃辞理兼胜、理在言外。长吉处元和新、旧乐府平易浅俗风靡诗坛之时,绝去翰墨畦径,呕心不经人道语,骨劲而神秀,奇不入诞,丽不入纤。然初读长吉诗,每喜其才,而感其涩,盖未谙长吉诗之艺术创新:一用字用词多以生语替代习熟之辞;二多以冷僻奇诡之意象入诗;三诗句之间或离合跌宕,或翻转透跃,脉络婉曲;四立意谋篇多比兴暗示,诗义多重旨复意。Li Changji lived in a transitional period when the plain and simple style of the Old Music Bureau Poetry (Yuefupoetry) and New Music Bureau Poetry became popular. As a genius, his great contributions to poetic innovation lie in thefollowing aspects: uncommon words used instead of cliche ones, application of some rare conceited images and variation of thelines, together with comparison and affective image (bi-xing) and ambiguity in his poems.

关 键 词：李长吉诗 辞理兼胜 艺术创新 

分 类 号：I207.22[文学—中国文学]