17世纪:小品精神的末路  

The 17th Century: the Termination of Prose's Spirit

作　　者：赵伯陶[1] 

机构地区：[1]武汉大学中国传统文化研究中心,湖北武汉430072

出　　处：《武汉大学学报（人文科学版）》2003年第5期589-596,共8页Wuhan University Journal (Humanity Sciences)

基　　金：教育部人文社会科学重点研究基地2002-2003年度重大项目(02JAZJD750.11-44013)

摘　　要：晚明小品是中国散文史中一种具有代表性的文体,王阳明心学的哲学理论、性灵派的文学主张蕴涵了其精神,士林文化、市井文化与老庄、禅悦思想的相互交融,构成了晚明小品的文化品格。17世纪中叶的明清易代暂时中断了中国迈向近代的步伐,从而也令具有近代意识的小品精神衰落,最终走向了末路。Prose in late Ming Dynasty is representative literary form in Chinese prose history. WANG Yang\|ming's philosophy of School of Mind, together with literary views of School of Xingling(School of Self\|expression), the mixture of the literati culture, the philistine culture, Laotse and Chuangtse philosophy and Buddhism constitute the literary characters of prose in late Ming Dynasty. This kind of prose which has strong trace of Modern times awareness came to its termination in the middle of the 17th century due to the dynasty change from Ming to Qing Dynasty. Through discussion on the problem, we can figure out the development process of Chinese literature in the 17th century so as to make more accurate description on the literature state of the 17th century.

关 键 词：17世纪 晚明小品 阳明心学 性灵派 近代意识 

分 类 号：I206.2[文学—中国文学]