《文选》京都赋置首的文化分析  

A CULTURAL ANALYSIS OF THE PRIORITY OF THE ARRANGEMENT OF WORKS OF FU ON THE CAPITAL IN WENXUAN

作　　者：韩晖[1] 

机构地区：[1]广西师范大学中文系,广西桂林541004

出　　处：《广西师范大学学报（哲学社会科学版）》2004年第1期76-82,共7页Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)

摘　　要：《文选》将京都赋置首 ,表现了主编昭明太子深殷的帝京文化意识和皇权意识。《文选》所录京都大赋对京都建置以及帝王文化由天命鬼神向人事重心转移后对礼制、王道、颂讽、大一统等思想的高度重视 ,这些和昭明太子所受的儒家王道思想教育及所关注的现实十分契合。此外 ,京都赋置首 ,还与此类赋最能代表大赋、体制最宏大、内容广博、文辞富赡、能见作家才学和突出的翼经功能有关。That fact that the works of genre called fu(descriptive prose interspersed with verse) on the capital were arranged as the beginning part of Wenxuan reflects the cultural consciousness of imperial capital and that of imperial power of Prince Zhaoming, chief-editor of the book. The works describing the establishment of the capital embodied the authors' great attention attached to various aspects of the imperial cultural, which agreed with the theory of a benevolent government of Confucianism in which the Prince was educated and with the reality which he paid close attention to. Moreover, that the works on capital were placed at the beginning is related to the fact that this was the most suitable genre for long description of various subjects and therefore reflected the authors' talent and learning.

关 键 词：《文选》 京都赋 儒家王道思想 帝京文化意识 皇权意识 

分 类 号：I206.2[文学—中国文学]