论《三国志演义》的悲剧与悲情  

On tragedy and sorrow in "The legend of Three Kingdoms

作　　者：关四平[1] 陈默[2] 

机构地区：[1]哈尔滨师范大学中文系,黑龙江哈尔滨150080 [2]哈尔滨师范大学<北方论丛>编辑部,黑龙江哈尔滨150080

出　　处：《求是学刊》2003年第5期101-105,共5页Seeking Truth

摘　　要：《三国志演义》是一部史诗性的悲剧作品,书中各色人物的悲情倾泻,既加重了作品的悲剧氛围,又冲刷掉了他们身上的神性光环或鬼域色彩,显露出活生生的"人"的鲜明个性,具有独特的审美价值。书中人物悲情与认识内容此呼彼应,珠联璧合;人物悲情与道德观念表里互衬、水乳交融;人物悲情与悲剧题材相辅相成、相得益彰等诸多方面,达到了相当高的艺术境界,具有典范的理论意义。The Legend of Three Kingdoms' is a work of epical tragedy. The sorrow in all characters of the work not only enhances the tragic atmosphere, but also rushes away the mystery and ghostdom, and shows the distinct personalities of a 'man'. So it possesses a unique aesthetic value. There is a great harmony among sorrow, ethics, epistemology and the tragic theme. So the work possesses a high level of art and can be set as an example.

关 键 词：悲剧 悲情 人物个性 审美价值 理论意义 

分 类 号：I207.41[文学—中国文学]