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作 者:邱瑞祥[1]
出 处:《贵州师范大学学报(社会科学版)》2003年第5期77-81,共5页Journal of Guizhou Normal University(Social Sciences)
摘 要:王梵志诗歌有着明显的训世化倾向。佛教的缘起论、因果论、轮回论是其训世的理论基础;其训世内容则是以世俗社会的现世行为作为讽喻对象;其最终指向,则又表示出对世俗生活的肯定态度。这表现出佛教在中国的传播,已经超越了佛教传入早期那种在上层社会的纯粹理论的宣讲与演绎,而走向了中国下层社会,与民间思想合流,完全的世俗化,典型地展示出佛教与中土文化相融相合的文化事象。There is a clear tendency of instruction in the poems by Wang Fanzhi. Its theoretical base is the genesis of Buddhism, the theory on cause and effect and on samsara. Its contents focus on the irony of the social phenomena in that society. Yet, the final outcome of his poems is affirmation of the popular life in the society. All these changes indicate that the spread of Buddhism has gone beyond the pure theory talked about by the upper society at the beginning when Buddhism came into China. It entered into the lower class of the society and merged with the common thoughts of the people at that time. Therefore, it is common and popular in nature, demonstrating the fact that Buddhism is harmoniously h'nked up with the local Chinese culture.
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