理性与自由:美学批评思维的基点  

Reason and Freedom: the Starting Point of Aesthetics CriticismDENG Qianlin

作　　者：邓谦林[1] 

机构地区：[1]兰州大学中文系,甘肃兰州730000

出　　处：《长沙电力学院学报（社会科学版）》2004年第1期94-96,共3页Journal of Changsha University of Electric Power(Social Science)

摘　　要：文学批评种类繁多,但大致可分为实效批评、技术批评和美学批评三种。美学批评是最切近文学批评本义,最有创造性的批评。以自由和理性为美学批评的思维基点,是由文学批评对象、文学批评主体和文学批评本身等因素决定的。充分重视理性与自由的作用,文学批评才能在批评理论上兼收并蓄,开创出一片崭新的天地。In spite of its variety in style, literary criticism can be roughly divided into actual effect criticism, technical criticism and aesthetics criticism. Aesthetics criticism is the closest style to the original meaning of literary criticism, and it is the most creative one. Since it is determined by such factors as target, subject, and literary criticism itself, we regard reason and freedom as its basic starting point. Only with close attention to the function of reason and freedom can literary criticism incorporate theories of diverse nature and open up a new world.

关 键 词：美学批评 理性 自由 原因 意义 

分 类 号：I06[文学—文学理论]