唐代“坐、立部伎”的起源、沿革及流传  

The Origin, Evolution and Spread of "Sitting and Standing Skill" in Tang Dynasty

作　　者：张维[1] 

机构地区：[1]武汉音乐学院,湖北武汉430060

出　　处：《南京艺术学院学报（音乐与表演版）》2004年第2期55-61,共7页Journal of Nanjing Arts Institute:Music & Performance

摘　　要：“坐、立部伎”是唐代非常重要的乐舞,但由于文献佚散、转抄遗漏等方面的原因,对研究带来诸多困难,也产生诸多分歧。本文在前人研究的基础上,从音乐史学的角度,运用音乐文献学的方法,对唐代“坐、立部伎”的起源、沿革及其在异域流传的问题进行梳理与考证。The 'Sitting and Standing Skill' was very important dance accompanied by music in Tang Dynasty. But there existmany difficulties and differences in studying them because the documents were lost or omitted while copying them. Basedon the previous studies, the article sorts out and researches textually the origin, evolution and spread of 'Sitting and StandingSkill' in Tang Dynasty from the viewpoints of the music history in the means of musical documents.

关 键 词：坐 立部伎 隋唐 燕乐 日本 

分 类 号：J645.4[艺术—音乐]